Outlaw — Gra kasynowa

“Outlaw” is BTG’s desert-rock cousin to Lil Devil—two bonus paths, big guitars, and wilds that hit like a sheriff’s badge—all staged with information hygiene that shines on mobile. Base game runs a 6×4, 4096-ways setup where full-reel Sheriff/Outlaw wilds can land with printed multipliers (×2–×7) in a single, emphatic sweep; when two share a line, they multiply each other, a fact shouted with giant badges so the math never hides. Scatters trigger free spins and you pick your poison. “Fallen Angel” appoints a symbol that becomes sticky across middle reels; stacking multiple on a reel upgrades it, delivering those screenshot walls you can point to. “Dizzy in the Head” dumps the stickies and rides an avalanche multiplier within each spin; consecutive tumbles step the × and reset only when the spin ends, with the meter printed huge. Heartstopper-style progress returns as a bottle meter from base play—fill it and your next feature is super-charged, a promise delivered with big, honest labels. Because stickies, tumbling, and multipliers resolve in strict order, even layered finales stay legible. Volatility is high whichever route you choose; the sticky path spikes via engineered boards, the tumbler spikes via late chains at a fat ×. Audio leans desert anthem—riffs and snare pops synced to wild drops—celebrations bloom and yield fast to protect tempo. Operators get a streamer-ready tentpole with mission hooks (mode chosen, double-multiplier lines, bottles filled). Players get agency and swagger: holster the stickies or chase the tumble ×, either way the cabinet shows its work and the count jumps right when the guitar peaks.